Ga Bin Kim, “Still life20gb01”, 2020 Enamel(Cloisonne), Korean Painting, 40x60
46th Solo Show of Ga Bin Kim Opens February 19th at C X U Gallery
We are proudly announcing that we have a new opening exhibition by Ga Bin Kim at C X U gallery, Los Angeles, CA. The exhibition features numerous chilbo(cloisonne) paintings will be on display until 29th February.
Ga Bin Kim studied Oriental Painting at Hongik University College, and kept further education in Fine Art Education at Hongik University in Korea. Kim learned to draw and appreciate the traditional Korean culture. Ga Bin Kim practiced many ways of showing her painting skills and she developed her own patents of using cloisonne painting. As a result of Kim’s unique style of chilbo painting, she has been shown her artwork at art fair a total 25 times in New York, Hong Kong, Seoul, Pusan, Incheon, Daejeon, Kwangju, and Kimpo. C X U Gallery is proudly making Kim’s 46th Solo Show in Los Angeles. The most selected genuine artwork we are offers viewers to enjoy her gratuitous playfulness of her art pieces.
From the artist working journal
My work speaks the imaginary question of relationships and relation of all things through the medium of the object. My art has pursued the value of pure molding by placing diverse feelings in nature and life in molds called cloisonne and ceramics. And it has sprouted from the breaks from formal, structural and monolithic things and has drawn discourse about vitality in the formative frame. Recent works have focused on beautiful relationships and relations including acquisitions and empties that pass through the journey of our lives, the disappearance and memory of life and death, and various phases based on reality. It projects many stories of our lives as well as the spirit of making cloisonne and ceramics completed by being tempered with fire one by one. The relationships represented in the aggregation of the various objects symbolized under the narration indicate that there is a point to the question of the inner nature which is different from the fixation of the superficial eye and the formative language which scrutinizes the self.